{"id":2418,"date":"2011-11-26T18:45:12","date_gmt":"2011-11-26T17:45:12","guid":{"rendered":"http:\/\/flautadepico.consev.es\/bibliography-2\/"},"modified":"2018-01-31T20:37:03","modified_gmt":"2018-01-31T19:37:03","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/flautadepico.consev.es\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<h3 id=\"bibliography\">A SHORT BIBLIOGRAPHY ON THE RECORDER<\/h3>\n<p><\/p>\n<ol>\n<li><a href=\"#annotated-bibliography\">Bibliography<\/a><\/li>\n<li><a href=\"#Repertory\">Repertory<\/a><\/li>\n<li><a href=\"#modern-monographs\">Modern monographs<\/a>\n<ol>\n<li><a href=\"#general-overviews\">General overviews<\/a><\/li>\n<li><a href=\"#books-on-specific-periods\">Books on specific periods<\/a><\/li>\n<li><a href=\"#Performance\">Performance<\/a><\/li>\n<li><a href=\"#Ornamentation\">Ornamentation<\/a><\/li>\n<li><a href=\"#Recorder-care\">Recorder care &amp; maintenance<\/a><\/li>\n<\/ol>\n<\/li>\n<li><a href=\"#Treatises\">Treatises<\/a><\/li>\n<li><a href=\"#Technique\">Technique<\/a><\/li>\n<li><a href=\"#Makers\">Makers<\/a><\/li>\n<li><a href=\"#Recorder-magazines\">Recorder magazines<\/a><\/li>\n<li><a href=\"#internet\">Internet<\/a><\/li>\n<\/ol>\n<h3 id=\"bibliografia-basica-improv\">B. A short bibliography on historical improvisation<\/h3>\n<p><\/p>\n<ol>\n<li><a href=\"#monograficos-improv\">Modern literature. Books:<\/a>\n<\/li>\n<li><a href=\"#articulos\">Articles<\/a><\/li>\n<li><a href=\"#online\">Online articles<\/a><\/li>\n<\/ol>\n<hr \/>\n<h2 id=\"annotated-bibliography\">1. Most comprehensive (and annotated) bibliography on the recorder:<\/h2>\n<p><a href=\"http:\/\/amzn.to\/1JW1lg5\" rel=\"attachment wp-att-2663\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Recorder-A-Research-and-Information-Guide-200x300.jpg?resize=200%2C300\" alt=\"The Recorder: A Research and Information Guide\" width=\"200\" height=\"300\" class=\"aligncenter size-medium wp-image-2663\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Recorder-A-Research-and-Information-Guide.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Recorder-A-Research-and-Information-Guide.jpg?w=333&amp;ssl=1 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><br \/>\nGriscom, R. &amp; Lasocki, D., <a href=\"http:\/\/amzn.to\/1JW1lg5\"><em>The Recorder: A Research and Information Guide<\/em><\/a> (Routledge Music Bibliographies, 3\u00aa ed., 2012). Otras ediciones: Garland, Nueva York, 1994 (1\u00aa ed.) y 2003 (2\u00aa ed. ampliada y actualizada). <strong>Un libro fundamental<\/strong>. El mejor lugar para iniciar cualquier investigaci\u00f3n sobre la flauta de pico.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"Repertory\">2. Repertory:<\/h2>\n<p><a href=\"http:\/\/www.blokfluit.org\" rel=\"attachment wp-att-2664\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Stichting-Blokfluit-286x300.png?resize=286%2C300\" alt=\"Stichting Blokfluit\" width=\"286\" height=\"300\" class=\"aligncenter size-medium wp-image-2664\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Stichting-Blokfluit.png?resize=286%2C300&amp;ssl=1 286w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Stichting-Blokfluit.png?w=376&amp;ssl=1 376w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/a><a title=\"blokfluit.org\" href=\"http:\/\/blokfluit.org\">blokfluit.org<\/a><br \/>\nContiene el <em>Cat\u00e1logo de m\u00fasica contempor\u00e1nea para flauta de pico<\/em> (Catalogue for Contemporary Blockflute Music, CCBM) y el <em>Cat\u00e1logo de repertorio hist\u00f3rico para flauta de pico<\/em> (Catalogue for Historic Recorder Repertoire, CHRR), ambos realizados por Walter van Hauwe, Jorge Isaac y Paul Leenhouts. Disponibles de forma gratuita en internet desde abril de 2006, se trata de una herramienta de gran utilidad para localizar repertorio, aunque en el campo de m\u00fasica antigua se limita al repertorio que especifica \u2014escrito <em>para<\/em>\u2014 flauta de pico. No contiene, por tanto, el enorme repertorio <em>compartido<\/em> anterior al s. XVII.<\/p>\n<p><a href=\"http:\/\/www.oxfordmusiconline.com\/\" rel=\"attachment wp-att-2666\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Oxford-Music-Online-200x300.png?resize=200%2C300\" alt=\"Oxford Music Online\" width=\"200\" height=\"300\" class=\"aligncenter size-medium wp-image-2666\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Oxford-Music-Online.png?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Oxford-Music-Online.png?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><a title=\"Diccionario New Grove\" href=\"http:\/\/www.oxfordmusiconline.com\/\">New Grove Dictionary of Music and Musicians<\/a>, Ed. Stanley Sadie. Adem\u00e1s del art\u00edculo sobre flauta de pico, consultar tambi\u00e9n el art\u00edculo <em>Sources<\/em> para localizar repertorio.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"modern-monographs\">3. Modern monographs on the recorder (covering history, technique, etc.):<\/h2>\n<h3 id=\"general-overviews\">General overviews<\/h3>\n<p><a href=\"http:\/\/amzn.to\/1xExSpD\" rel=\"attachment wp-att-2668\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Ramon-Andres-Diccionario-de-instrumentos-musicales-Desde-la-antig%C3%BCedad-a-J.S.Bach_-208x300.jpg?resize=208%2C300\" alt=\"Ramon Andres - Diccionario de instrumentos musicales - Desde la antig\u00fcedad a J.S.Bach\" width=\"208\" height=\"300\" class=\"aligncenter size-medium wp-image-2668\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Ramon-Andres-Diccionario-de-instrumentos-musicales-Desde-la-antig%C3%BCedad-a-J.S.Bach_.jpg?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Ramon-Andres-Diccionario-de-instrumentos-musicales-Desde-la-antig%C3%BCedad-a-J.S.Bach_.jpg?resize=768%2C1107&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Ramon-Andres-Diccionario-de-instrumentos-musicales-Desde-la-antig%C3%BCedad-a-J.S.Bach_.jpg?resize=710%2C1024&amp;ssl=1 710w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Ramon-Andres-Diccionario-de-instrumentos-musicales-Desde-la-antig%C3%BCedad-a-J.S.Bach_.jpg?w=1049&amp;ssl=1 1049w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><\/a>Andr\u00e9s, R., <a href=\"http:\/\/amzn.to\/1xExSpD\"><em>Diccionario de instrumentos musicales: Desde la antig\u00fcedad a J.S.Bach<\/em><\/a>, Ed. Pen\u00ednsula, 2009 (1\u00aa ed., 1995). La entrada <em>\u201cFlauta de pico\u201d<\/em>, que abunda en citas literarias, es uno de los textos m\u00e1s completos sobre la flauta en una publicaci\u00f3n espa\u00f1ola, realizado por Ram\u00f3n Andr\u00e9s con la colaboraci\u00f3n de \u00c1lvaro Mar\u00edas.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1Ka42Nn\" rel=\"attachment wp-att-2669\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-and-Its-Music-Edgar-Hunt-209x300.jpg?resize=209%2C300\" alt=\"Recorder and Its Music Edgar Hunt\" width=\"209\" height=\"300\" class=\"aligncenter size-medium wp-image-2669\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-and-Its-Music-Edgar-Hunt.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-and-Its-Music-Edgar-Hunt.jpg?w=348&amp;ssl=1 348w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a>Hunt, E., <a href=\"http:\/\/amzn.to\/1Ka42Nn\"><em>The Recorder and its Music<\/em><\/a>, Eulenburgh, Londres, 1962. En franc\u00e9s como: <em>La Fl\u00fbte \u00e0 Bec et sa Musique<\/em>, Zurfluh, Par\u00eds, 1978.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1tzRfJJ\" rel=\"attachment wp-att-2671\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-The-Recorder-Players-Handbook-205x300.jpg?resize=205%2C300\" alt=\"Linde - The Recorder Player&#039;s Handbook\" width=\"205\" height=\"300\" class=\"aligncenter size-medium wp-image-2671\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-The-Recorder-Players-Handbook.jpg?resize=205%2C300&amp;ssl=1 205w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-The-Recorder-Players-Handbook.jpg?w=341&amp;ssl=1 341w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/a>Linde, H.M., <em>Handbuch des Blockfl\u00f6tenspiels<\/em>. Schott, Maguncia, 1962. En ingl\u00e9s como: <a href=\"http:\/\/amzn.to\/1tzRfJJ\"><em>The Recorder Player&#8217;s Handbook<\/em><\/a>, Schott, Londres, 1984.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1ON5wMu\" rel=\"attachment wp-att-2674\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Recorder-its-traditions-and-its-tasks.jpg?resize=203%2C276\" alt=\"The Recorder, its traditions and its tasks\" width=\"203\" height=\"276\" class=\"aligncenter size-full wp-image-2674\" \/><\/a><br \/>\nPeter, H., <em>Die Blockfl\u00f6te und ihre Spielweise in Vergangenheit und Gegenwart<\/em>, Lienau, Berlin, 1953. En ingl\u00e9s, como <a href=\"http:\/\/amzn.to\/1ON5wMu\"><em>The Recorder, its traditions and its tasks<\/em><\/a>, Lienau, Berlin, 1958.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1kXuQWK\" rel=\"attachment wp-att-2676\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Cambridge-Companion-to-the-Recorder-232x300.jpg?resize=232%2C300\" alt=\"The Cambridge Companion to the Recorder\" width=\"232\" height=\"300\" class=\"aligncenter size-medium wp-image-2676\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Cambridge-Companion-to-the-Recorder.jpg?resize=232%2C300&amp;ssl=1 232w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/The-Cambridge-Companion-to-the-Recorder.jpg?w=387&amp;ssl=1 387w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/a><br \/>\nVV.AA., <a href=\"http:\/\/amzn.to\/1kXuQWK\"><em>The Cambridge Companion to the Recorder<\/em><\/a>, (John Mansfield Thomson, ed.), Cambridge University Press, 1995.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<h3 id=\"#books-on-specific-periods\">Books on specific periods<\/h3>\n<p><a href=\"http:\/\/amzn.to\/1A7dsWK\" rel=\"attachment wp-att-2677\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/O%E2%80%99Kelly-E-The-Recorder-Today-241x300.jpg?resize=241%2C300\" alt=\"O\u2019Kelly E - The Recorder Today,\" width=\"241\" height=\"300\" class=\"aligncenter size-medium wp-image-2677\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/O%E2%80%99Kelly-E-The-Recorder-Today.jpg?resize=241%2C300&amp;ssl=1 241w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/O%E2%80%99Kelly-E-The-Recorder-Today.jpg?w=321&amp;ssl=1 321w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><\/a><br \/>\nO&#8217;Kelly, E., <a href=\"http:\/\/amzn.to\/1A7dsWK\"><em>The Recorder Today<\/em><\/a>, Cambridge University Press, Cambridge, 1990.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1OM0y8S\" rel=\"attachment wp-att-2679\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Griscom-R.-Lasocki-D.The-Bassanos-Venetian-Musicians-and-Instrument-Makers-in-England-219x300.jpg?resize=219%2C300\" alt=\"Griscom, R. &amp; Lasocki, D.,The Bassanos - Venetian Musicians and Instrument Makers in England\" width=\"219\" height=\"300\" class=\"aligncenter size-medium wp-image-2679\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Griscom-R.-Lasocki-D.The-Bassanos-Venetian-Musicians-and-Instrument-Makers-in-England.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Griscom-R.-Lasocki-D.The-Bassanos-Venetian-Musicians-and-Instrument-Makers-in-England.jpg?resize=768%2C1050&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Griscom-R.-Lasocki-D.The-Bassanos-Venetian-Musicians-and-Instrument-Makers-in-England.jpg?resize=749%2C1024&amp;ssl=1 749w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Griscom-R.-Lasocki-D.The-Bassanos-Venetian-Musicians-and-Instrument-Makers-in-England.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><br \/>\nGriscom, R. &amp; Lasocki, D., <a href=\"http:\/\/amzn.to\/1OM0y8S\"><em>The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665<\/em>. Tambi\u00e9n disponible <\/a><a href=\"http:\/\/www.instantharmony.net\/Music\/eb12.php\">e-book<\/a>.<\/p>\n<p><em>The Recorder in the 17th Century. Proceedings of the International Recorder Symposium, Utrecht 1993<\/em> (David Lasocki, ed.), Stimu, ISBN 90-72786-06-8. La publicaci\u00f3n m\u00e1s completa hasta la fecha sobre la flauta de pico en el siglo 17. <a href=\"http:\/\/www.abebooks.com\/servlet\/SearchResults?isbn=9072786068&#038;sortby=17&#038;sts=t&#038;x=34&#038;y=8\">Descatalogado<\/a>.<\/p>\n<p><a href=\"http:\/\/www.abebooks.com\/servlet\/SearchResults?isbn=9072786122&amp;sortby=17&amp;sts=t&amp;x=53&amp;y=13\" rel=\"attachment wp-att-2681\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Musicque-de-Joye.jpeg?resize=189%2C267\" alt=\"Musicque de Joye\" width=\"189\" height=\"267\" class=\"aligncenter size-full wp-image-2681\" \/><\/a><br \/>\n<em>Musicque de Joye. Proceedings of the International Symposium on the Renaissance Flute and Recorder Consort, Utrecht 2003<\/em> (David Lasocki, ed.), Ed. Stimu 2005, ISBN 90-72786-12-2. La publicaci\u00f3n m\u00e1s completa hasta la fecha sobre la flauta de pico en el siglo 16. <a href=\"http:\/\/www.abebooks.com\/servlet\/SearchResults?isbn=9072786122&#038;sortby=17&#038;sts=t&#038;x=53&#038;y=13\">Descatalogado<\/a>.<\/p>\n<p>Schmidt, U., <a href=\"http:\/\/amzn.to\/1tzRAvS\"><em>Notation der neuen Blockfl\u00f6tenmusik<\/em><\/a>. Moeck, Celle, 1981<\/p>\n<p>Martin, J., <em>The Acoustics of the Recorder<\/em>, Moeck, Celle, 1994<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<h3 id=\"Performance\">Performance<\/h3>\n<p><a href=\"http:\/\/amzn.to\/1wNk31p\" rel=\"attachment wp-att-2682\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique--230x300.jpg?resize=230%2C300\" alt=\"Rowland-Jones A - Playing Recorder Sonatas -Interpretation and Technique\" width=\"230\" height=\"300\" class=\"aligncenter size-medium wp-image-2682\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique-.jpg?resize=230%2C300&amp;ssl=1 230w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique-.jpg?resize=768%2C1000&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique-.jpg?resize=786%2C1024&amp;ssl=1 786w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique-.jpg?w=1487&amp;ssl=1 1487w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Playing-Recorder-Sonatas-Interpretation-and-Technique-.jpg?w=1168&amp;ssl=1 1168w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/a><br \/>\nRowland-Jones, A., <a href=\"http:\/\/amzn.to\/1wNk31p\"><em>Playing Recorder Sonatas: Interpretation and Technique<\/em><\/a>, Oxford Clarendon Press, Oxford, 1992.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<h3 id=\"Ornamentation\">Ornamentation<\/h3>\n<p>Bang Mather, B., <a href=\"http:\/\/www.amazon.es\/Interpretation-French-1675-1775-Woodwind-Performers\/dp\/0941084035\/ref=sr_1_fkmr0_1?s=foreign-books&#038;ie=UTF8&#038;qid=1420317216&#038;sr=1-1-fkmr0&#038;keywords=Bang+Mather%2C+B.%2C+Interpretation+of+French+Music\"><em>Interpretation of French Music From 1675-1755<\/em><\/a>, McGinnis &amp; Marx Music Publishers, Nueva York, 1973. Tambi\u00e9n <a href=\"http:\/\/instantharmony.net\/Music\/eb9.php\">disponible como e-book<\/a>.<\/p>\n<p><a href=\"http:\/\/instantharmony.net\/Music\/eb5.php\" rel=\"attachment wp-att-2685\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Bang-Mather-B.-Lasocki-D.-Free-Ornamentation-in-Woodwind-Music-1700-%E2%80%93-1775.-An-Anthology-with-Introduction-229x300.png?resize=229%2C300\" alt=\"Bang Mather, B. &amp; Lasocki, D., Free Ornamentation in Woodwind Music 1700 \u2013 1775. An Anthology with Introduction\" width=\"229\" height=\"300\" class=\"aligncenter size-medium wp-image-2685\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Bang-Mather-B.-Lasocki-D.-Free-Ornamentation-in-Woodwind-Music-1700-%E2%80%93-1775.-An-Anthology-with-Introduction.png?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Bang-Mather-B.-Lasocki-D.-Free-Ornamentation-in-Woodwind-Music-1700-%E2%80%93-1775.-An-Anthology-with-Introduction.png?w=406&amp;ssl=1 406w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/a><br \/>\nBang Mather, B. &amp; Lasocki, D., <a href=\"http:\/\/amzn.to\/1OM7eUz\"><em>Free Ornamentation in Woodwind Music 1700 &#8211; 1775. An Anthology with Introduction<\/em><\/a>, McGinnis &amp; Marx Music Publishers, Nueva York, 1976. Tambi\u00e9n <a href=\"http:\/\/instantharmony.net\/Music\/eb5.php\">disponible como e-book<\/a>.<\/p>\n<p>Bang Mather, B. &amp; Lasocki, D., <em>The art of preluding 1700-1830<\/em>, McGinnis &amp; Marx Music Publishers, Nueva York, 1984. Tambi\u00e9n <a href=\"http:\/\/instantharmony.net\/Music\/eb7.php\">disponible como e-book<\/a>.<\/p>\n<p><a href=\"http:\/\/amzn.to\/14kYWh1\" rel=\"attachment wp-att-2687\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Brown-Howard-Mayer-Embellishing-Sixteenth-Century-Music-203x300.jpg?resize=203%2C300\" alt=\"Brown, Howard Mayer, Embellishing Sixteenth-Century Music\" width=\"203\" height=\"300\" class=\"aligncenter size-medium wp-image-2687\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Brown-Howard-Mayer-Embellishing-Sixteenth-Century-Music.jpg?resize=203%2C300&amp;ssl=1 203w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Brown-Howard-Mayer-Embellishing-Sixteenth-Century-Music.jpg?resize=768%2C1136&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Brown-Howard-Mayer-Embellishing-Sixteenth-Century-Music.jpg?resize=692%2C1024&amp;ssl=1 692w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Brown-Howard-Mayer-Embellishing-Sixteenth-Century-Music.jpg?w=1086&amp;ssl=1 1086w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><br \/>\nBrown, Howard Mayer, <a href=\"http:\/\/amzn.to\/14kYWh1\"><em>Embellishing Sixteenth-Century Music<\/em><\/a>, Oxford University Press, London, 1976.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1DgOKlf\" rel=\"attachment wp-att-2689\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-H-M-Peque%C3%B1a-gu%C3%ADa-para-la-ornamentaci%C3%B3n-de-la-m%C3%BAsica-de-los-siglos-XVI-XVIII-219x300.jpg?resize=219%2C300\" alt=\"Linde H M - Peque\u00f1a gu\u00eda para la ornamentaci\u00f3n de la m\u00fasica de los siglos XVI-XVIII\" width=\"219\" height=\"300\" class=\"aligncenter size-medium wp-image-2689\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-H-M-Peque%C3%B1a-gu%C3%ADa-para-la-ornamentaci%C3%B3n-de-la-m%C3%BAsica-de-los-siglos-XVI-XVIII.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-H-M-Peque%C3%B1a-gu%C3%ADa-para-la-ornamentaci%C3%B3n-de-la-m%C3%BAsica-de-los-siglos-XVI-XVIII.jpg?resize=768%2C1052&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-H-M-Peque%C3%B1a-gu%C3%ADa-para-la-ornamentaci%C3%B3n-de-la-m%C3%BAsica-de-los-siglos-XVI-XVIII.jpg?resize=748%2C1024&amp;ssl=1 748w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Linde-H-M-Peque%C3%B1a-gu%C3%ADa-para-la-ornamentaci%C3%B3n-de-la-m%C3%BAsica-de-los-siglos-XVI-XVIII.jpg?w=1095&amp;ssl=1 1095w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><br \/>\nLinde, H.M., <em>Kleine Anleitung zum verzieren alter Musik<\/em>, Schott, Maguncia, 1958. En espa\u00f1ol: <a href=\"http:\/\/amzn.to\/1DgOKlf\"><em>Peque\u00f1a gu\u00eda para la ornamentaci\u00f3n de la m\u00fasica de los siglos XVI-XVIII<\/em><\/a>, Ricordi, Buenos Aires, 1976.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1tIpUux\" rel=\"attachment wp-att-2690\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento-219x300.jpg?resize=219%2C300\" alt=\"Videla, M.A., Ejemplos de ornamentaci\u00f3n del Renacimiento\" width=\"219\" height=\"300\" class=\"aligncenter size-medium wp-image-2690\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento.jpg?resize=768%2C1053&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento.jpg?resize=747%2C1024&amp;ssl=1 747w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento.jpg?w=1276&amp;ssl=1 1276w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Videla-M.A.-Ejemplos-de-ornamentaci%C3%B3n-del-Renacimiento.jpg?w=1168&amp;ssl=1 1168w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><br \/>\nVidela, M.A., <a href=\"http:\/\/amzn.to\/1tIpUux\"><em>Ejemplos de ornamentaci\u00f3n del Renacimiento,<\/em><\/a> Ricordi, Buenos Aires, 1976.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<h3 id=\"#Recorder-care\">Recorder care &#038; maintenance<\/h3>\n<p><a href=\"http:\/\/www.dolce-edition.com\/workshop.html\" rel=\"attachment wp-att-2683\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Adrian-Brown-The-Recorder-A-Basic-Workshop-Manual-218x300.jpg?resize=218%2C300\" alt=\"Adrian Brown - The Recorder - A Basic Workshop Manual\" width=\"218\" height=\"300\" class=\"aligncenter size-medium wp-image-2683\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Adrian-Brown-The-Recorder-A-Basic-Workshop-Manual.jpg?resize=218%2C300&amp;ssl=1 218w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Adrian-Brown-The-Recorder-A-Basic-Workshop-Manual.jpg?w=433&amp;ssl=1 433w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a><br \/>\nBrown, A., <a href=\"http:\/\/www.dolce-edition.com\/workshop.html\"><em>The Recorder, A Basic Workshop Manual<\/em><\/a>, Dolce, Brighton, 1989.<\/p>\n<p>Kottick, E., <a href=\"http:\/\/amzn.to\/1OM5FG6\"><em>Tone and Intonation on the Recorder,<\/em><\/a>\u00a0McGinnis &amp; Marx Music Publishers, Nueva York, 1974.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"Treatises\">4. Treatises:<\/h2>\n<p>Ganassi, S., <em>Opera intitulata Fontegara<\/em>, Venecia 1535. [Ediciones modernas: Forni (Bibliotheca musica Bononiensis), facs\u00edmil, 1989; Ganassi, S., <em>Opera intitulata Fontegara<\/em>. Societ\u00e0 italiana del flauto dolce, Roma, 1991; Trad. francesa de J.P. Navarre (ed. Ch. Vossart): <a href=\"http:\/\/amzn.to\/14kWIOA\"><em>Oeuvres compl\u00e8tes. Volume 1, La Fontegara (1535)<\/em><\/a> (Amicus)]<\/p>\n<p>Ortiz, D., <em>Trattado de glosas sobre cl\u00e1usulas y otros g\u00e9neros de puntos en la m\u00fasica de violones<\/em> (Roma 1553). [Ortiz, D., <em>Trattado de glosas<\/em>, SPES (facs.) y <a href=\"http:\/\/amzn.to\/1AqoAgg\">B\u00e4renreiter<\/a> (ed. moderna)]<\/p>\n<p>Hotteterre, J., <em>Principes de la Fl\u00fbte traversi\u00e8re ou Fl\u00fbte d&#8217;Allemagne, de la Fl\u00fbte \u00e0 bec ou Fl\u00fbte douce, et du Hautbois<\/em>, Par\u00eds, 1707. [Hotteterre, J., <em>Principes de la fl\u00fbte traversi\u00e8re<\/em>. <a href=\"http:\/\/amzn.to\/1wNkCYX\">B\u00e4renreiter<\/a>, 1982. En espa\u00f1ol: Hotteterre, J., <em>Principios de la flauta travesera, de la flauta de pico y del oboe<\/em>, Par\u00eds, 1707. Trad. al espa\u00f1ol por \u00c1lvarez, L. y Mart\u00edn, J.D., SEMA, Madrid, 1978.]<\/p>\n<p>Quantz, J.J. (1697-1773), <em>Versuch einer Anweisung die Fl\u00f6te travesiere zu spielen<\/em> <em>(Ensayo de un m\u00e9todo para tocar la flauta travesera)<\/em>. Berlin: Voss, 1752. [Quantz, J.J.,<em> Essai d&#8217;une m\u00e9thode pour apprendre \u00e0 jouer de la flute travesiere<\/em>. Berlin: Chr\u00e9tien Fr\u00e9d\u00e9ric Voss, 1752. Versi\u00f3n francesa, preparada por el propio autor. Facs\u00edmil editado en Zurfluh en 1975. Quantz, J.J., <em>Versuch einer Anweisung die Fl\u00f6te travesiere zu spielen<\/em>. Deutscher Taschenbuch Verlag, Munich; B\u00e4renreiter, Kassel, 1992. En ingl\u00e9s: Quantz, J.J., <a href=\"http:\/\/amzn.to\/1AqphpX\"><em>On Playing the Flute<\/em><\/a>. Trad. y ed. E.R. Reilly. 2\u00aa ed, Faber &amp; Faber, London; Schirmer Books, New York, 1985. 1\u00aa ed., 1966. Pr\u00f3xima edici\u00f3n en espa\u00f1ol, traducci\u00f3n de Alfonso Sebasti\u00e1n Alegre.]<\/p>\n<p>Sela, B., <em>Selecci\u00f3n de tratados y m\u00e9todos antiguos con referencias a la flauta de pico: edici\u00f3n original, facs\u00edmiles y traducciones<\/em> en Revista de flauta de pico n\u00ba 3, septiembre 1995.<\/p>\n<p>Mohlmeier, Susi y Thouvenot, Fr\u00e9d\u00e9rique, <em>Methodes &amp; treatises<\/em>, Recorder, Serie III, Ed. Fuzeau. 4 vol\u00famenes que recogen la pr\u00e1ctica totalidad de los tratados dedicados a la flauta de pico (a veces de forma parcial, como en el caso de <a href=\"http:\/\/amzn.to\/14kWIOA\"><em>Fontegara<\/em><\/a> de Ganassi, o los fragmentos de tratados de tem\u00e1tica m\u00e1s general en los que se le dedica alg\u00fan cap\u00edtulo.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"Technique\">5. Technique<\/h2>\n<p><a href=\"http:\/\/amzn.to\/1wNlnkF\" rel=\"attachment wp-att-2691\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Hauwe-W.-van-The-Modern-Recorder-Player-vol.-I-229x300.jpg?resize=229%2C300\" alt=\"Hauwe, W. van, The Modern Recorder Player vol. I,\" width=\"229\" height=\"300\" class=\"aligncenter size-medium wp-image-2691\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Hauwe-W.-van-The-Modern-Recorder-Player-vol.-I.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Hauwe-W.-van-The-Modern-Recorder-Player-vol.-I.jpg?w=381&amp;ssl=1 381w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/a><br \/>\nHauwe, W. van, <a href=\"http:\/\/amzn.to\/1wNlnkF\"><em>The Modern Recorder Player vol. I<\/em><\/a>, <a href=\"http:\/\/amzn.to\/14kZALq\">vol II<\/a> &amp; <a href=\"http:\/\/amzn.to\/1wNlpJr\">vol. III<\/a>. Ed. Schott, Londres, 1984-92.<\/p>\n<p><a href=\"http:\/\/amzn.to\/1DgPOFG\" rel=\"attachment wp-att-2692\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Recorder-Technique-Intermediate-to-Advanced-209x300.jpg?resize=209%2C300\" alt=\"Rowland-Jones A - Recorder Technique - Intermediate to Advanced\" width=\"209\" height=\"300\" class=\"aligncenter size-medium wp-image-2692\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Recorder-Technique-Intermediate-to-Advanced.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Recorder-Technique-Intermediate-to-Advanced.jpg?resize=768%2C1104&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Recorder-Technique-Intermediate-to-Advanced.jpg?resize=712%2C1024&amp;ssl=1 712w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Rowland-Jones-A-Recorder-Technique-Intermediate-to-Advanced.jpg?w=946&amp;ssl=1 946w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a><br \/>\nRowland-Jones, A., <a href=\"http:\/\/amzn.to\/1DgPOFG\"><em>Recorder Technique: Intermediate to Advanced<\/em><\/a>, Oxford University Press, Oxford, 1959 (3\u00aa ed. 2013)<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"Makers\">6. Makers<\/h2>\n<p>Sela, B. y Pe\u00f1alver. G., <em>Fabricantes de flautas de pico en el s. XX<\/em>, Revista de Flauta de Pico, Sevilla, 1996.<\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"Recorder-magazines\">7. Recorder magazines<\/h2>\n<ul>\n<li><a href=\"http:\/\/www.americanrecorder.org\"><em>American Recorder<\/em><\/a>. Se edita cinco veces al a\u00f1o por The American Recorder Society, Inc., P.O. Box 631, Littleton CO 80160, EE.UU.<\/li>\n<li><em>Butllet\u00ed de la Associaci\u00f3 Musical Bloc<\/em>. [Ya no se publica].<\/li>\n<li><a href=\"http:\/\/www.recordermagazine.co.uk\"><em>The Recorder Magazine<\/em><\/a>. Ruth and Jeremy Burbidge, Peacock Press, Scout Bottom Farm, Mytholmroyd, Hebden Bridge, West Yorkshire HX7 5JS, Inglaterra.<\/li>\n<li><em>Revista de Flauta de Pico<\/em>. [Ya no se publica].<\/li>\n<li><a href=\"http:\/\/www.moeck.com\/cms\/index.php?id=8\"><em>Tibia<\/em><\/a>. Moeck, Celle. H. Moeck (Ed.). Se publica cuatro veces al a\u00f1o y trata sobre los instrumentos de viento madera en general. En alem\u00e1n.<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<hr \/>\n<h2 id=\"internet\">8. Internet<\/h2>\n<p><a href=\"http:\/\/www.recorderhomepage.net\" rel=\"attachment wp-att-2693\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page-1024x572.png?resize=584%2C326\" alt=\"Recorder Home Page\" width=\"584\" height=\"326\" class=\"aligncenter size-large wp-image-2693\" srcset=\"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page.png?resize=1024%2C572&amp;ssl=1 1024w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page.png?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page.png?resize=768%2C429&amp;ssl=1 768w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page.png?resize=500%2C279&amp;ssl=1 500w, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/11\/Recorder-Home-Page.png?w=1094&amp;ssl=1 1094w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><br \/>\n<a title=\"recorderhomepage.net\" href=\"http:\/\/www.recorderhomepage.net\">Recorder Home Page<\/a>: una de las fuentes m\u00e1s completas sobre la flauta de pico. Contiene completos listados como: bibliograf\u00eda, discograf\u00eda, repertorio, listado de constructores, conservatorios, etc. compilados por Nicholas S. Lander.<\/p>\n<hr \/>\n<h2>A short bibliography on historical improvisation<\/h2>\n<h2 id=\"monograficos-improv\">Modern literature. Books:<\/h2>\n<ul>\n<li>Canguilhem, Philippe, <em>Chanter sur le livre a la Renaissance: les traites de contrepoint de Vicente Lusitano<\/em>, 2013, Turnhout, Belgium: Brepols<\/li>\n<li>Canguilhem, Philippe, <em>L\u2019improvisation polyphonique \u00e0 la Renaissance<\/em>, 2015, Paris: Classiques Garnier<\/li>\n<li>Canguilhem, Philippe, <em>The Cambridge History of Fifteenth-Century Music<\/em>, chapter 9: \u201cImprovisation as concept and musical practice in the 15th century\u201d, ed. Busse Berger, Anna Maria, and Rodin, Jesse, 2015, Cambridge University Press<\/li>\n<li>Cumming, Julie E., and Peter Schubert, <em>The Cambridge History of Fifteenth-Century Music<\/em>, chapter 12: \u201cThe Origins of Pervasive Imitation\u201d, ed. Busse Berger, Anna Maria, and Rodin, Jesse, 2015, Cambridge University Press<\/li>\n<li>Dongois, William, <em>Apprendre \u00e0 improviser avec la musique de la Renaissance<\/em>, 2008, Lyon: Color &amp; Talea<\/li>\n<li>Fiorentino, Giuseppe, <em>Fol\u00eda. El origen de los esquemas arm\u00f3nicos entre tradici\u00f3n oral y transmisi\u00f3n escrita<\/em>, 2013, Edition Reichenberger<\/li>\n<li>Gal\u00e1n, Santiago, <em>La teor\u00eda de canto de \u00f3rgano y contrapunto en el Renacimiento espa\u00f1ol. La Sumula de canto de organo de Domingo Marcos Dur\u00e1n como modelo<\/em>, 2016, Editorial Alpuerto<\/li>\n<li>Guido, Massimiliano, ed., <em>Studies in Historical Improvisation from<\/em> Cantare super Librum <em>to<\/em> Partimenti, 2017, Routledge<\/li>\n<li>Janin, Barnab\u00e9, <em>Chanter sur le livre: manuel pratique d&#8217;improvisation polyphonique de la Renaissance (XVe et XVIe si\u00e8cles)<\/em>, 2014, Lyon: Sym\u00e9trie<\/li>\n<li>Lewis, George E., (editor), and Piekut, Benjamin, (editor), <em>The Oxford handbook of critical improvisation studies<\/em>, 2016, New York: Oxford University Press <\/li>\n<li>McGee, Timothy J., (editor), <em>Improvisation in the arts of the Middle Ages and Renaissance<\/em>, 2003, Kalamazoo: Medieval Institute Publications<\/li>\n<li>Menke, Johannes, Schubert, Peter N., and Wegman, Robert, <em>Improvising early music<\/em>, 2014, Collected writings of the Orpheus Institute, Leuven University Press<\/li>\n<li>Schubert, Peter, <em>Modal Counterpoint: Renaissance Style<\/em>, 2008, New York: Oxford University Press<\/li>\n<\/ul>\n<h2 id=\"articulos\">Articles:<\/h2>\n<ul>\n<li>Canguilhem, Philippe, \u201cSinging upon the book according to Vicente Lusitano\u201d, Early Music History 30, 2011<\/li>\n<li>Cumming, Julie E., and Peter Schubert, \u201cTalking about the Lost Generation: Sacred Music of Willaert, Gombert, and Michele Pesenti\u201d, The Journal of Musicology 32, no. 3, 2015<\/li>\n<li>Fiorentino, Giuseppe, \u201cM\u00fasica espa\u00f1ola del renacimiento entre tradici\u00f3n oral y transmisi\u00f3n escrita. el esquema de fol\u00eda en procesos de composici\u00f3n e improvisaci\u00f3n\u201d, Revista de Musicolog\u00eda 34, no. 1, 2011<\/li>\n<li>Fiorentino, Giuseppe, \u201cLa m\u00fasica de \u00abhombres y mugeres que no saben de m\u00fasica\u00bb: polifon\u00eda de tradici\u00f3n oral en el Renacimiento espa\u00f1ol\u201d, Revista De Musicolog\u00eda 31, no. 1, 2008<\/li>\n<li>Fiorentino, Giuseppe, \u201c\u2018Cantar por uso&#8217; and &#8216;cantar fabord\u00f3n&#8217;: The &#8216;unlearned&#8217; tradition of oral polyphony in Renaissance Spain (and beyond)\u201d, Early Music, Vol. XLIII, No. 1, 2015<\/li>\n<li>Fiorentino, Giuseppe, \u201cRelazioni musicali tra Italia e Spagna nella prima met\u00e0 del XVI secolo: L&#8217;anomalia delle pavane ternarie\u201d, Studi Musicali 38, no. 2, 2009<\/li>\n<li>Horsley, Imogene, \u201cImprovised Embellishment in the Performance of Renaissance Polyphonic Music\u201d, Journal of the American Musicological Society 4, no. 1, 1951<\/li>\n<li>Horsley, Imogene, \u201cThe Diminutions in Composition and Theory of Composition\u201d, Acta Musicologica 35, no. 2\/3, 1963<\/li>\n<li>Horsley, Imogene, \u201cThe Renaissance Attitude Toward Interpretation in Instrumental Performance\u201d, Renaissance News 10, no. 2, 1957<\/li>\n<li>Morucci, Valerio, \u201cImprovisation in vocal contrapuntal pedagogy: An appraisal of Italian theoretical treatises of the sixteenth and early seventeenth century.\u201d Performance Practice Review 18, no. 1, 2013<\/li>\n<li>Schubert, Peter, and Cumming, Julie E., \u201cAnother lesson from Lassus: Using computers to analyse counterpoint.\u201d Early Music 43, no. 4, 2015<\/li>\n<li>Schubert, Peter, and Lessoil-Daelman, Marcelle, \u201cWhat modular analysis can tell us about musical modeling in the Renaissance.\u201d Music Theory Online 19, no. 1, 2013<\/li>\n<li>Schubert, Peter, \u201cRecombinant melody: Ten things to love about Willaert&#8217;s music.\u201d Current Musicology no. 75, 2003<\/li>\n<\/ul>\n<h2 id=\"online\">Online articles:<\/h2>\n<ul>\n<li>Cumming, Julie E., <a href=\"http:\/\/www.mtosmt.org\/issues\/mto.13.19.2\/mto.13.19.2.cumming.php\"><em>Renaissance Improvisation and Musicology<\/em><\/a><\/li>\n<li>Guido, Massimiliano, (editor), <a href=\"http:\/\/riviste.paviauniversitypress.it\/index.php\/phi\/article\/view\/1446\"><em>Con la Mente e con le Mani<\/em>, Philomusica-online, 2012, Vol. 11, N. 2<\/a><\/li>\n<li>ibid., <a href=\"http:\/\/www.mentemani.org\/Welcome.html\"><em>Mentemani<\/em>, Research Project, Schulich School of Music, McGill University<\/a><\/li>\n<li>Motuz, Catherine, <a href=\"https:\/\/www.conservatoriumvanamsterdam.nl\/onderzoek\/evenementen\/congressen-en-symposia\/researching-performance-performing-research\/programme\/not-for-a-thousand-ducats\/\"><em>\u2018Not for a thousand ducats&#8217;: Historical improvisation at the intersection of memory and creativity<\/em><\/a><\/li>\n<li>Motuz, Catherine, <a href=\"https:\/\/www.conservatoriumvanamsterdam.nl\/onderzoek\/evenementen\/congressen-en-symposia\/researching-performance-performing-research\/programme\/improvised-counterpoint\/\"><em>Improvised Counterpoint in the Twenty-First Century: The Musical Memory Bank as a Cure for Paralysis by Analysis<\/em><\/a><\/li>\n<li>Parrilla, Vicente, <a href=\"https:\/\/vicenteparrilla.com\/blog\/spagna-improvisations\"><em>Six Transcribed Improvisations on La Spagna<\/em><\/a><\/li>\n<li>Schubert, Peter, <a href=\"http:\/\/flipcamp.org\/engagingstudents2\/essays\/schubert.html\"><em>Teaching Music Analysis through Improvisation<\/em><\/a><\/li>\n<li>Schubert, Peter, <a href=\"http:\/\/flipcamp.org\/engagingstudents\/schubert.html\"><em>My Undergraduate Skills-Intensive Counterpoint Learning Environment (MUSICLE)<\/em><\/a><\/li>\n<li>VV., <a href=\"http:\/\/www.mentemani.org\/ISHI\/ISHI\/Welcome.html\">International Society for Historical Improvisation<\/a><\/li>\n<\/ul>\n<hr \/>\n<h3>Twitter<\/h3>\n<p><a href=\"https:\/\/twitter.com\/ganassi\">@ganassi<\/a><\/p>\n<p style=\"text-align: right;\"><a href=\"#bibliography\">Up<\/a><\/p>\n<p><\/p>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=fpconsev\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A SHORT BIBLIOGRAPHY ON THE RECORDER Bibliography Repertory Modern monographs General overviews Books on specific periods Performance Ornamentation Recorder care &amp; maintenance Treatises Technique Makers Recorder magazines Internet B. A short bibliography on historical improvisation Modern literature. Books: Articles Online &hellip; <a href=\"https:\/\/flautadepico.consev.es\/en\/bibliography\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":13,"featured_media":1534,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2418","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P21e89-D0","jetpack-related-posts":[{"id":2391,"url":"https:\/\/flautadepico.consev.es\/en\/schedule\/","url_meta":{"origin":2418,"position":0},"title":"Schedule","author":"Vicente Parrilla","date":"18 de February de 2015","format":false,"excerpt":"Academic course 2018-2019 schedule and planning details of the Superior Conservatory of Music in Sevilla\u2019s recorder class. 1. Program Students must elaborate a recital program including the list of works to be performed during the academic course, according to the subject\u2019s established criteria and requisites as specified on the recorder\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2016\/04\/clase-flauta-de-pico-Sevilla-concert-banner.jpg?fit=1000%2C288&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2016\/04\/clase-flauta-de-pico-Sevilla-concert-banner.jpg?fit=1000%2C288&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2016\/04\/clase-flauta-de-pico-Sevilla-concert-banner.jpg?fit=1000%2C288&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2016\/04\/clase-flauta-de-pico-Sevilla-concert-banner.jpg?fit=1000%2C288&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":99,"url":"https:\/\/flautadepico.consev.es\/bibliografia\/","url_meta":{"origin":2418,"position":1},"title":"Bibliograf\u00eda","author":"Vicente Parrilla","date":"26 de November de 2011","format":false,"excerpt":"A. Bibliograf\u00eda b\u00e1sica sobre la flauta de pico Bibliograf\u00eda Repertorio Monogr\u00e1ficos modernos Generales Especializados por \u00e9pocas Interpretaci\u00f3n Ornamentaci\u00f3n Mantenimiento de la flauta Tratados antiguos T\u00e9cnica Constructores Revistas Internet B. Bibliograf\u00eda b\u00e1sica sobre improvisaci\u00f3n hist\u00f3rica Monogr\u00e1ficos modernos. Libros Art\u00edculos Art\u00edculos en l\u00ednea 1. Bibliograf\u00eda (casi) completa y comentada: Griscom, R. &\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Algunos libros de Lasocki sobre la flauta de pico","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/05\/Some-Lasocki-books-on-the-recorder.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/05\/Some-Lasocki-books-on-the-recorder.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/05\/Some-Lasocki-books-on-the-recorder.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/05\/Some-Lasocki-books-on-the-recorder.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/05\/Some-Lasocki-books-on-the-recorder.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2389,"url":"https:\/\/flautadepico.consev.es\/en\/consort\/","url_meta":{"origin":2418,"position":2},"title":"Consort","author":"Vicente Parrilla","date":"17 de February de 2015","format":false,"excerpt":"Note: this page is to be updated. 1. Suggested ensemble repertoire for the next recorder class concert taking place on March 3, 2012 (contemporary music): Joan Albert Amarg\u00f3s (*1950): Sonata de Primavera (1990) Frans Geysen (*1936): Installaties (1983) 2. Suggested repertoire for the next recorder class concert taking place on\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Alejandra F. Sanz","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/10\/Sevilla-recorder-class-consort.jpg?fit=1000%2C288&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/10\/Sevilla-recorder-class-consort.jpg?fit=1000%2C288&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/10\/Sevilla-recorder-class-consort.jpg?fit=1000%2C288&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/10\/Sevilla-recorder-class-consort.jpg?fit=1000%2C288&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2386,"url":"https:\/\/flautadepico.consev.es\/en\/calendar\/","url_meta":{"origin":2418,"position":3},"title":"Calendar","author":"Vicente Parrilla","date":"17 de February de 2015","format":false,"excerpt":"Public performance dates & activities of the recorder class at CSMS.","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/09\/04-header-basset-5396.jpg?fit=1000%2C288&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/09\/04-header-basset-5396.jpg?fit=1000%2C288&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/09\/04-header-basset-5396.jpg?fit=1000%2C288&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2011\/09\/04-header-basset-5396.jpg?fit=1000%2C288&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2388,"url":"https:\/\/flautadepico.consev.es\/en\/downloads\/","url_meta":{"origin":2418,"position":4},"title":"Downloads","author":"Vicente Parrilla","date":"17 de February de 2015","format":false,"excerpt":"1. Recorder class official program (\u00a1New!) 2. Monthly student concert programs \u2014 academic course 2014-2015 (\u00a1New!) 3. Music scores (\u00a1New!) \u00a0 Monthly student concert programs from last years: 4. Monthly student concert programs \u2014 academic course 2013-2014 5. Monthly student concert programs \u2014 academic course 2012-2013 6. Monthly student concert\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/01\/boxwood-Bassano-tenor-MET-bottom-DP234696.jpg?fit=1000%2C288&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/01\/boxwood-Bassano-tenor-MET-bottom-DP234696.jpg?fit=1000%2C288&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/01\/boxwood-Bassano-tenor-MET-bottom-DP234696.jpg?fit=1000%2C288&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2012\/01\/boxwood-Bassano-tenor-MET-bottom-DP234696.jpg?fit=1000%2C288&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1762,"url":"https:\/\/flautadepico.consev.es\/inicio\/","url_meta":{"origin":2418,"position":5},"title":"Clase de flauta de pico del Conservatorio Superior de Sevilla","author":"Vicente Parrilla","date":"24 de June de 2014","format":false,"excerpt":"Clase de flauta de pico del Conservatorio Superior de M\u00fasica Manuel Castillo de Sevilla (2004\u20132019) \u2014 Profesor: Vicente Parrilla Esta p\u00e1gina web documenta las actividades de la clase de flauta de pico del Conservatorio Superior de Sevilla entre los a\u00f1os 2011\u20132019. Con 7 audiciones tem\u00e1ticas a lo largo del curso\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Sevilla recorder class 2016 banner","src":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/06\/Sevilla-recorder-class-2016-banner.jpg?fit=1000%2C288&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/06\/Sevilla-recorder-class-2016-banner.jpg?fit=1000%2C288&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/06\/Sevilla-recorder-class-2016-banner.jpg?fit=1000%2C288&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/flautadepico.consev.es\/wp-content\/uploads\/2014\/06\/Sevilla-recorder-class-2016-banner.jpg?fit=1000%2C288&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/pages\/2418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/comments?post=2418"}],"version-history":[{"count":7,"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/pages\/2418\/revisions"}],"predecessor-version":[{"id":3787,"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/pages\/2418\/revisions\/3787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/media\/1534"}],"wp:attachment":[{"href":"https:\/\/flautadepico.consev.es\/en\/wp-json\/wp\/v2\/media?parent=2418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}